男女羞羞视频在线观看,国产精品黄色免费,麻豆91在线视频,美女被羞羞免费软件下载,国产的一级片,亚洲熟色妇,天天操夜夜摸,一区二区三区在线电影
Global EditionASIA 中文雙語Fran?ais
Culture
Home / Culture / Art

When the tea bowl met the tea stand

By Zhao Xu in New York | China Daily | Updated: 2019-10-19 12:31
Share
Share - WeChat
The silk tapestry from Yuan Dynasty testifies to Mongol rulers' adoption of Tibetan Buddhism.[Photo provided to China Daily]

Zhang Xiping, a renowned professor at the Beijing Foreign Studies University, whose research covers Chinese philosophies and religions in China, said: "The merging of Buddhism, Confucianism and Taoism became irreversible during the Ming Dynasty in the 14th century. Shying away from answering questions about life and death, Confucianism offers guidance for behaving and self-cultivation but not comfort to the soul. But those questions had to be answered and the soul comforted. That was where Buddhism and Taoism, the latter concerning itself with immortality, came in, together giving rise to Chan, or Zen Buddhism."

"Since they dealt with different realms - this life and the next - these different ways of thinking complement rather than contradict each other. This also explains why in Chinese history, no war has ever been fought in the name of religion," he continued.

This meditative inclusiveness is reflected in art: a large hanging scroll from the early 17th century teems with Buddhist and non-Buddhist immortals, each with power that the artist hoped to invoke.

Right at the center, sitting cross-legged on an open lotus, is Guanyin, the Goddess of Mercy known outside China as Bodhisattva. Guanyin, famously cast as the female disciple of the Buddha in the 16th century Chinese novel Journey to the West, is without doubt the most venerated deity in ancient China, helping women in the fulfillment of their maternal duty, by bringing them an offspring.

In a potent example of what happens when a ruler became a devout Buddhist, Empress Dowager Cisheng of the Ming Dynasty commissioned her own incarnation of the all-compassionate Guanyin, accompanied by a child deity who appears on the lower left side of the painting and who is almost certainly the empress' elder son, Emperor Wanli.

Politics and religion were inextricably intertwined, something of which the exhibition has plenty of proof. A small alcove linked to one of the galleries is occupied on three walls by three hangings, all dedicated to Tibetan Buddhism but belonging to the consecutive periods of China's Yuan, Ming and Qing dynasties (1271-1911).

|<< Previous 1 2 3 4 5 6 7 8 9 10 Next   >>|
Most Popular
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 六盘水市| 修水县| 河源市| 清丰县| 永和县| 夹江县| 乌鲁木齐县| 肇州县| 莒南县| 龙陵县| 徐闻县| 盖州市| 天津市| 鱼台县| 湛江市| 元江| 长岛县| 西平县| 樟树市| 石泉县| 罗平县| 台中县| 镇远县| 商河县| 彩票| 达日县| 伽师县| 信阳市| 阳谷县| 宁城县| 九寨沟县| 清丰县| 同德县| 修水县| 和平县| 阿坝县| 时尚| 晋州市| 嵊泗县| 延吉市| 五莲县| 东山县| 嘉禾县| 察隅县| 和田县| 武安市| 富宁县| 麟游县| 宜丰县| 鄂州市| 陈巴尔虎旗| 宜兰市| 荣成市| 平泉县| 绥宁县| 班戈县| 台州市| 肇庆市| 鲁甸县| 砚山县| 深州市| 汝州市| 大新县| 海南省| 开江县| 台江县| 涪陵区| 宁津县| 宿州市| 哈巴河县| 苍溪县| 仙游县| 临潭县| 博爱县| 阿拉善左旗| 彭山县| 东乡| 新巴尔虎左旗| 吐鲁番市| 法库县| 建瓯市| 依安县|