A response to place

Photo by Wei Xiaohao / China Daily

Art fell by the wayside as she pursued a career in the medical field, first in England where she met her husband and then in Johannesburg, South Africa, where she taught Medical Lab Sciences at a local college. There, through friendships she made with staff in the art department, she started experimenting with her own art again and she says she will always associate South Africa with acrylics.

The connection between place and artwork is a constant in her diverse body of work, as she says her art is "definitely a response" to where she is.

Her time in South Africa was followed by seven years in Hong Kong, where her son Fionn was born in 1999, and three in Tokyo. The family then moved to Dubai for five years, and Cunningham said that is where her "first main body of work came".

The family lived close to the Dubai Creek and she took Fionn walking there almost every day, its rippling waters becoming the lifeblood of her Dubai cityscapes.

"That's when I knew I would be a very serious painter, or at least I knew I would have to drop my teaching," she says.

She had two solo shows while in Dubai, then the family returned to Ireland for a year, so Fionn could experience living there and "know he was Irish". Her work from that period portrays the rich emerald beauty of her homeland.

The next year was spent in Prague, resulting in another series of landscapes, featuring the rooftops and bridges of the historic city. Then, almost four years ago, the family relocated to Beijing, where Cunningham has again painted stunning landscapes, but also returned to a childhood passion for working with textiles.